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Artist Statement:
In ancient Oriental aesthetics, the spirits of harmony, respect, purity and tranquility were believed to reside in ‘paper’. As a sculptor, I selected hand-made paper as my medium of choice to communicate the spirit of natural forms.
My ‘chop’, or oriental signature translates –
“Revealing the nature spirits through paper and light.”
My quest is to master the use of hand-made paper in three dimensional sculptures that are illuminated. The challenge is to capitalize on the translucency of paper unobstructed by the use of armatures or internal support structures for the paper sculpture.
My central artistic goal is to create sculptural works that convey both the impermanence of life, and the inherent beauty of natural forms, through the natural aspects of hand-made paper. My sculptures are cast on forms, reed and molds of foam, wire mesh to circumvent the need for armatures. Where support mechanisms are required, I make every effort to mimic natural forms like driftwood or coral.
Much like a Buddhist sand painting, paper is a transient and ethereal medium. The process of its construction is in itself a Zen-like experience, where beaten fibers are recasting as a new, but familiar natural form. The illumination ...
Further Information
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