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Artist Statement:
My body of work has been criticised as being too diverse in object and idea for the audience to get a clear idea of my artistic identity. My response to that comment: that is who I am as an artist. I paint to examine colour and form; I photograph to capture memory and reference; I draw for the sheer freedom of it; I sculpted to produce objects to exist with me; I use collage to create new narratives through disparate images; I read art history, theory and philosophy for the interest but also because how can one know where to take one’s art, if one doesn’t know where it’s been. Everything is a point of departure and experimentation.
Not surprisingly, my grandmother taught me cross stitch and started the bug. These works are a response to the two extremes of the male gaze and the perception of women which has been a subject for generations of artists. Historically embroidery was an craft for lady's of leisure, particularly the wealthy and represented the piousness and innocence of women. When suitors came it was auspicious to be 'caught' doing embroidery. It was also a community for women to ...
Further Information
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Artist Exhibitions:
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Artist Galleries:
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Artist Reviews:
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Collections:
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Commissions:
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