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Artist Statement:
The Preponderance of Women
I think that I always wanted to photograph women for all the usual reasons, but over the last decade I have allowed my models to participate in planning the shoot. This produced the wonderful complexity of two different minds on the same project and got me closest to my ideal of cramming maximum content and associations into an apparently simple composition.
I've tried landscapes, Cartier-Bresson-type street images, even artschool abstracts, but nothing else produced strong images as consistently as my female models.
The imaging of women in art is, of course, enormously problematic - not least because of the enormous weight of thousands of years of male-dominated art. Consciously or unconsciously I quote from that history. At the same time there is a special tension between male photographer and female model which, at least in part, comes from the eternal fascination with the female "other" against decades of feminist debate that has to some extent touched all women.
At the same time images of women persist in our culture (in both art, advertising and popular culture) because they are so powerful and compelling. For instance both men's AND women's magazines have ...
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Artist Exhibitions:
1984: Open Shutter, Taslab Gallery
1986: Real Life, Walters Restaurant
1989: Cinderella, A Portrait, Capers Restaurant
1990: Ongoing exhibit at Bijoux Jewellery, Hobart.
1991: (18 Dec) Group exhibition for VERSIONS TWO book launch at the Long Gallery, Salamanca Place.
1993: My Beautiful Sister. Sidespace Gallery 6th-24th October
1994: Objects ...
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Artist Galleries:
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Artist Reviews:
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Collections:
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Commissions:
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