Paintings For Sale - Price Range: $1000 - $5000

Page 11 of 351
Discover 10,172 original painting artworks for sale between $1000 - $5000. Contemporary emerging artists: Maciej Hoffman, Dennis Duncan, Jose Freitascruz, Michael Schaffer, James Gwynne, Donna Gallant, Lorrie Williamson, Cathy Dobson, Lucille Coleman, Wayne Wilcox, Marie-france Busset, Marcia Freedman, Hyacinthe Kuller-baron, Austen Pinkerton, Rita Levinsohn, Hope Brooks are exhibiting their affordable original art. You can buy artwork online and browse 351 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Painting Categories / Painting / Previous / Next
Maciej Hoffman: 'bite the smoke', 2013 Oil Painting, undecided.
undecided - Painting
50 x 60 cm (19.7 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Dennis Duncan: 'DREAMING WIDE AWAKE', 2013 Acrylic Painting, Meditation.  A glimpse into our imagination. A stimulation of the cerebral cortex. Memories past, present, and  future our own private picture show. Daydreaming of new horizons, creativity and aspirations becoming one common thread.     ...
Meditation - Painting
60 x 48 inches (152.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jose Freitascruz: 'zipangu', 2012 Acrylic Painting, Abstract Landscape. acrylic- m.  media on wood unframed to be placed directly on wall as is - from the exhibition poetry of soul at mssohkan gallery, kobe, japan...
, 2012
Abstract Landscape - Painting
240 x 60 cm (94.5 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jose Freitascruz: 'the long sea', 2012 Acrylic Painting, Seascape.  acrylic- m.  media on wood unframed to be placed directly on wall as is - from the exhibition poetry of soul at mssohkan gallery, kobe, japan ...
Seascape - Painting
240 x 60 cm (94.5 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Michael Schaffer: 'Fireball', 2010 Acrylic Painting, Abstract.  My favorite piece.  Everything worked! ...
, 2010
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michael Schaffer: 'Fish Head', 2008 Acrylic Painting, Abstract. Also known as
, 2008
Abstract - Painting
30 x 18 inches (76.2 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michael Schaffer: 'Waterfall', 2008 Acrylic Painting, Abstract.  A terrific experience of composition and flow.  ...
, 2008
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
James Gwynne: 'Soaring', 2012 Oil Painting, Birds.  Bald Eagle soaring high among clouds ...
, 2012
Birds - Painting
38 x 42 inches (96.5 x 106.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
James Gwynne: 'Hair II', 2002 Oil Painting, nudes. Hair, back view, larger than life ...
, 2002
nudes - Painting
46 x 50 inches (116.8 x 127.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
James Gwynne: 'Model back view', 2009 Oil Painting, nudes. Sunlit view of models hair and back ...
nudes - Painting
42 x 36 inches (106.7 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
James Gwynne: 'Landscape with Flag II', 2012 Oil Painting, Landscape.  A flag that a patriotic someone tied to a branch in the woods among dried grass and leaves ...
Landscape - Painting
48 x 42 inches (121.9 x 106.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Donna Gallant: 'Calenbine', 2012 Oil Painting, Floral.      Internal views of florals are the inspiration in this piece.  Painted on 9 - 12 x 12
, 2012
Floral - Painting
36 x 36 inches (91.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lorrie Williamson: 'The Diploma', 2007 Acrylic Painting, Still Life.   Diplomas given to 3 year olds at PreSchool Graduation made me think how much value we tend to place on the piece of paper that is often so meaningless. ...
Still Life - Painting
22 x 28 inches (55.9 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Cathy Dobson: 'The Full Moon of Gemini', 2010 Oil Painting, Astronomy. Original Illuminated Oil Painting.Gemini Twin Mermaids.  Glows in the dark. ...
Astronomy - Painting
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Donna Gallant: 'Fire Lily', 2011 Oil Painting, Floral.      Another piece from the artist's floral series.  Exploring and examming the internal aspects of a flower.  Sumbollic of one' s life, each piece are painted on smaller panels, then assumbled into one large piece and thus creating the whole.     ...
, 2011
Floral - Painting
40 x 48 inches (101.6 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Cathy Dobson: 'Forgiveness', 2002 Oil Painting, Fish. Original Illuminated Oil Painting.Highlighted Candle flames glow in the dark. ...
Fish - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Coleman: 'Runaways', 2011 Oil Painting, Children.  This is an original oil painting of a dream I had of hopping a train and running away to throw caution to the wind. I would go to who knows where to do who knows what when I hear the sound of a train but I put two children in...
, 2011
Children - Painting
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Coleman: 'Running Man', 2011 Oil Painting, Figurative.  This is an original oil painting of a man running. It is meant for the viewer to ask questions and glean what they will from the energy emanating from the man running. This artwork is also a greeting card and bookmark under the theme of love with an established greeting...
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Beale Street Juke Joint', 2011 Oil Painting, Cityscape.  Beale Street Memphis    ...
Cityscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marie-france Busset: 'LA DANSE DES COQS', 2010 Oil Painting, Birds.
Birds - Painting
25 x 75 inches (63.5 x 190.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marie-france Busset: 'LA FEMME ET SON COQ', 2010 Oil Painting, Birds.
Birds - Painting
25 x 75 inches (63.5 x 190.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marcia Freedman: 'Traveling', 2010 Oil Painting, Abstract.  Traveling is an abstract oil painting which blurs the boundaries between landscape and the environment.               ...
, 2010
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Hyacinthe Kuller-baron: 'ALICE FLOWERS GICLEE', 2010 Oil Painting, Children.   ALICE AMONG THE FLOWERS IS AVAILABLE AS A GICLEE HAND TOUCHED BY HYACINTHE. Limited edition of 100 only. $2500. 00. Contact us for preferred size, canvas or paper and to order specifications. barongallery@ aol. com.Painting featured for the
Children - Painting
2 x 3 feet (0.61 x 0.91 m)
Like It   indepth artwork information   Add To Shopping Cart
Austen Pinkerton: 'Hilary at Kalkan', 2010 Acrylic Painting, Portrait.  Image of Hilary, sitting reading, on a balcony with wrought iron railings, with flowers behind her head, and, in the background, a view of the town and across the bay. ...
Portrait - Painting
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marcia Freedman: 'DAMAGED', 2009 Oil Painting, Abstract.   Damaged is an abstract oil painting on paper influenced by imagery from landscape and from within the interior of the human body.  ...
, 2009
Abstract - Painting
52 x 48 inches (132.1 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Study in Orange', 2009 Oil Painting, Still Life.
Still Life - Painting
30 x 24 inches (76.2 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rita Levinsohn: 'End of the Line', 2009 Acrylic Painting, Activism.  To advise the viewer of the fragile state of chimps.  Very few remain in the wild and those that are in captivity are often used for medical experiments or abused as circus attractions. ...
Activism - Painting
40 x 30 inches (101.6 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Hope Brooks: 'Where There is no Light', 2008 Acrylic Painting, Abstract Landscape.  Formerly titled
Abstract Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Hope Brooks: 'The Sargasso Sea', 2008 Acrylic Painting, Abstract Landscape.  16 panels each 15 inches square painted in acrylic and depicting the mysterious area between the Caribbean, Europe and AFrica known as the Sargasso Sea.  It is important in slave cultures because it represents the unknown the world into which the slaves were taken and from which they would never...
Abstract Landscape - Painting
60 x 60 inches (152.4 x 152.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Applebrush', 2009 Oil Painting, Still Life.
, 2009
Still Life - Painting
26 x 17 inches (66.0 x 43.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 11 of 351) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Marcia Freedman - Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...